this enforces its magical nature, but may also say something about the narrative voice, what it thinks of words and power, and how much responsibility it wants to actually ascribe to the swearers. that said, in the text the oath often acts in active voice.
it is entirely possible for an oath to warp a spirit’s nature enough to deny their true afterlife.the text struggles to embrace this illogic. this may mean that the text cannot itself come to terms with what the oath is and entails, metaphysically it may also mean that though an individual can renounce its fulfilment, there will be no release from whatever power it possesses. the oath is at once called unbreakable and, almost in the very same sentence, oathbreakers are called forth.do with that what you will, but see point two. in the aforementioned swearing by Celegorm, some things are slightly reworded/paraphrased.this in itself implies the use of figures of speech, impeding literality of meaning and interpretation. it could otherwise be read as “lasting created existence” versus the end of the world and the dark beyond. day as a thing doesn’t exist at the time of swearing, and as far as the swearers know, it will not exist again. the reason is simple, “death we will deal him ere day’s ending” is not an entirely logical sentence.
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its intention cannot be entirely laid out and understood without taking into account an effect of deterrence.
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One at my side, DRAGON AGE, relationship study for Sketch/Tug from Leliana’s Song, about learning how to mourn a love made of secrets power imbalance, compromise of principles, a whole lot of ruthlessness The most royal of methods, ORIGINAL, in which an assassin is sent to kill his old lover and said lover, born reformist poltician, knows how to put this to use, feat. Celegorm, Telchar, and dwarf worldbuilding Shining Black, SILM, Curufin/Eöl you absolutely read that right, 14 pages of me trying to trip them into bed, feat. everyone of the main parties involved except the main pair (there’s a bit of Fingon though) in short, maybe-not-anymore-King Maglor has an incredibly terse and awk conversation with Fingolfin, feat.
To heal a wound, SILM, immediate aftermath of the Thangorodrim rescue dealing with approx. Aredhel, Huan, a bunch of talking animals Oromë, SILM, aka bloody forest rituals, snow white and the huntsman comparisons, Celegorm having a grand time with Tilion, The apple tree, CASTLEVANIA, Dracula/Lisa with an anatomical Venus, medicine learning, blood drinking, and oral sex houseless spirits and a meaningful conversation with Maedhros To die in the light, SILM, a thrall of Angband escapes and finds Himring. In the colours and manner of light, DORIAN GRAY, what if all of Basil’s paintings had a magical power of sorts? a story of missing moments, Basil’s relationship with Dorian, and Dorian’s own cruelty Half Mourning, SILM, Maeglin interacts with Rog and other Gondolin characters as he processes mourning and his new homeĪ study of catharsis: Celebrimbor returns to life, meets people, rebuilds Formenos, does elf chemistry, and talks with his mother not entirely in that order. Masterpost of the stuff I wrote that’s newer, periodically updatedĪ Prince and his Executioner, DRAGON AGE, the Warden Aeducan returns to Orzammar where Zevran offers him to assassinate the crown candidate that he doesn’t want, Zevran/m!Aeducan with an Oghren cameo
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